Movies: Takahiko Iimura

Home movies shot on Super 8mm by W+B Hein over 10 years....

Filmmaker Jonas Mekas films 160 underground film people over four decades....

"On John's 31st birthday, Yoko held an art exhibit, "This Is Not Here", at the Everson Museum of Art in Syracuse, N.Y.. The show was taped and aired on U.S. TV on May 11, 1972 as "John and Yoko in Syracuse, New York."...

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is m...

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an in...

One of Takahiko Iimura's (and modern art's) earliest works in conceptual video, A Chair entirely consists of a steady (and usually ghosted) image of a chair to the accompaniment of the firecracker pops of television static. While formally minimal, A ...

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967....

Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each portrait, Iimura attempts to copy the styles and traits of each artist (Vanderbeek's constantly moving camera...

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and the real, are intercut and edited making into a film. The sound is the voice of continuous laughing of...

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in 1975, and Observer/Observed/Observer, made in 1976). The work analyzes the fundamental components of v...

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA....

'What I am concerned with in this film is not only the flicker effect, but also the coming and going of an eye-like shape on screen which was created by a fade-in-out device while shooting the light/the bulb of the projector. The viewer literally loo...

A touching portrait of his partner Akiko and the days following their wedding, Iimura's conceptual rigour loosens in favour of intimacy in Honey Moon. (Julian Ross)...

Experimental film involving letters....

MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They are shown alone as well as together, one over (or under) the other symbolizing in words at the same time, their positions...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sect...

"10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I....

An attempt at time travel in a very conceptual sense....

“ONAN is a work about desire (masturbation) which has no object but itself. The appearance of the large egg objectifies the man's desires. After colliding with the other (a girl), the hero falls down while still holding the egg, thus caricaturing the...

Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there is more and more light and less darkness, then vice versa....